<?xml version="1.0" encoding="utf-8" ?> <rss version="2.0" xmlns:opensearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom"> <channel> <title> <![CDATA[MUIT Library Resource centre Search for 'Provider:Elsevier inc']]> </title> <link> /cgi-bin/koha/opac-search.pl?q=ccl=Provider%3AElsevier%20inc&#38;sort_by=relevance&#38;format=rss </link> <atom:link rel="self" type="application/rss+xml" href="/cgi-bin/koha/opac-search.pl?q=ccl=Provider%3AElsevier%20inc&#38;sort_by=relevance&#38;format=rss"/> <description> <![CDATA[ Search results for 'Provider:Elsevier inc' at MUIT Library Resource centre]]> </description> <opensearch:totalResults>42</opensearch:totalResults> <opensearch:startIndex>0</opensearch:startIndex> <opensearch:itemsPerPage>50</opensearch:itemsPerPage> <atom:link rel="search" type="application/opensearchdescription+xml" href="/cgi-bin/koha/opac-search.pl?q=ccl=Provider%3AElsevier%20inc&#38;sort_by=relevance&#38;format=opensearchdescription"/> <opensearch:Query role="request" searchTerms="q%3Dccl%3DProvider%253AElsevier%2520inc" startPage="" /> <item> <title> The Film Maker's Eye </title> <dc:identifier>ISBN:0.97802408122</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=1990</link> <description> <![CDATA[ <p> By Mercado, Gustavo .<br /> UK Elsevier inc 2013 .<br /> 192p. 0.97802408122 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=1990">Place hold on <em>The Film Maker's Eye</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=1990</guid> </item> <item> <title> 3D Story Teling </title> <dc:identifier>ISBN:0.97802408188</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=1991</link> <description> <![CDATA[ <p> By Block , Bruce .<br /> UK Elsevier inc 2013 .<br /> 228p 0.97802408188 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=1991">Place hold on <em>3D Story Teling </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=1991</guid> </item> <item> <title> The Animator's Eye </title> <dc:identifier>ISBN:9780240817248</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=1993</link> <description> <![CDATA[ <p> By Glebas, Francis .<br /> UK Elsevier inc 2013 .<br /> 292p 9780240817248 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=1993">Place hold on <em>The Animator's Eye </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=1993</guid> </item> <item> <title> Cinematography </title> <dc:identifier>ISBN:9780240812090</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=1995</link> <description> <![CDATA[ <p> By Brown, Blain .<br /> UK Elsevier inc 2013 .<br /> 365p 9780240812090 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=1995">Place hold on <em>Cinematography</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=1995</guid> </item> <item> <title> Digital Compositing for Film and Video (Third Edition </title> <dc:identifier>ISBN:9780240813097</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=1998</link> <description> <![CDATA[ <p> By Wright, Steve .<br /> UK Elsevier inc .<br /> 490p 9780240813097 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=1998">Place hold on <em>Digital Compositing for Film and Video (Third Edition</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=1998</guid> </item> <item> <title> Character Modeling with Maya and Zbrush </title> <dc:identifier>ISBN:9780240520346</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=1999</link> <description> <![CDATA[ <p> By Patnode, Jason .<br /> UK Elsevier inc .<br /> 400p 9780240520346 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=1999">Place hold on <em>Character Modeling with Maya and Zbrush </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=1999</guid> </item> <item> <title> Film Making </title> <dc:identifier>ISBN:9780240817002</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2000</link> <description> <![CDATA[ <p> By Tomaric, Jason J. .<br /> UK Elsevier inc 2010 .<br /> 520p 9780240817002 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2000">Place hold on <em>Film Making</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2000</guid> </item> <item> <title> Digital story Telling </title> <dc:identifier>ISBN:9780240809595</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2003</link> <description> <![CDATA[ <p> By Miller, Carolyn Handler .<br /> UK Elsevier inc 2008 .<br /> 479p 9780240809595 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2003">Place hold on <em>Digital story Telling</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2003</guid> </item> <item> <title> Screenwriter's Compass </title> <dc:identifier>ISBN:9780240818078</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2005</link> <description> <![CDATA[ <p> By Gallo, Guy .<br /> UK Elsevier inc 2012 .<br /> 200p 9780240818078 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2005">Place hold on <em>Screenwriter's Compass </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2005</guid> </item> <item> <title> Animation from Pencils to Pixels </title> <dc:identifier>ISBN:9780240806709</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2008</link> <description> <![CDATA[ <p> By White, Tony .<br /> UK Elsevier inc 2016 .<br /> 499p 9780240806709 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2008">Place hold on <em>Animation from Pencils to Pixels</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2008</guid> </item> <item> <title> Professional Story Boarding </title> <dc:identifier>ISBN:9780240817705</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2009</link> <description> <![CDATA[ <p> By Paez, Sergio .<br /> UK Elsevier inc 2013 .<br /> 257p 9780240817705 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2009">Place hold on <em>Professional Story Boarding </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2009</guid> </item> <item> <title> Developing Story Ideas </title> <dc:identifier>ISBN:9780240807362</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2060</link> <description> <![CDATA[ <p> By Rabiger, Michael .<br /> UK Elsevier inc 2006 .<br /> 241p 9780240807362 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2060">Place hold on <em>Developing Story Ideas </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2060</guid> </item> <item> <title> The Visual Story Creating the Visual Structure of Film, TV and Digital Media) </title> <dc:identifier>ISBN:9780240807799</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2061</link> <description> <![CDATA[ <p> By Block, Bruce .<br /> UK Elsevier inc 2008 .<br /> 295p 9780240807799 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2061">Place hold on <em>The Visual Story Creating the Visual Structure of Film, TV and Digital Media)</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2061</guid> </item> <item> <title> The Art and Technique of Matchmoving (Solutions for the VFX Artist </title> <dc:identifier>ISBN:9780240812304</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2062</link> <description> <![CDATA[ <p> By Hornung, Erica .<br /> UK Elsevier inc 2010 .<br /> 311p 9780240812304 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2062">Place hold on <em>The Art and Technique of Matchmoving (Solutions for the VFX Artist</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2062</guid> </item> <item> <title> How to Cheat in Adobe Flash CS5 (The Art of Design and Animation) </title> <dc:identifier>ISBN:9780240522074</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2066</link> <description> <![CDATA[ <p> By Georgenes, Chris .<br /> UK Elsevier inc 2011 .<br /> 262p 9780240522074 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2066">Place hold on <em>How to Cheat in Adobe Flash CS5 (The Art of Design and Animation)</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2066</guid> </item> <item> <title> The Technique of Film &amp; Video Editing </title> <dc:identifier>ISBN:9780240813974</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2072</link> <description> <![CDATA[ <p> By Dancyger, Ken.<br /> UK Elsevier inc 2011 .<br /> 459p 9780240813974 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2072">Place hold on <em>The Technique of Film &amp; Video Editing</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2072</guid> </item> <item> <title> Sound for Film and Television </title> <dc:identifier>ISBN:9780240804538</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2089</link> <description> <![CDATA[ <p> By Holman, Tomlinson .<br /> UK Elsevier inc 2002 .<br /> 285p 9780240804538 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2089">Place hold on <em>Sound for Film and Television </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2089</guid> </item> <item> <title> The Animator's Eye </title> <dc:identifier>ISBN:9780240817248</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2997</link> <description> <![CDATA[ <p> By Glebas, Francis .<br /> UK Elsevier inc 2013 .<br /> 292p 9780240817248 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2997">Place hold on <em>The Animator's Eye </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2997</guid> </item> <item> <title> Cinematography </title> <dc:identifier>ISBN:9780240812090</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2998</link> <description> <![CDATA[ <p> By Brown, Blain .<br /> UK Elsevier inc 2013 .<br /> 365p 9780240812090 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2998">Place hold on <em>Cinematography</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2998</guid> </item> <item> <title> Digital Compositing for Film and Video (Third Edition </title> <dc:identifier>ISBN:9780240813097</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=2999</link> <description> <![CDATA[ <p> By Wright, Steve .<br /> UK Elsevier inc .<br /> 490p 9780240813097 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=2999">Place hold on <em>Digital Compositing for Film and Video (Third Edition</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=2999</guid> </item> <item> <title> Animation from Pencils to Pixels </title> <dc:identifier>ISBN:9780240806709</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=3000</link> <description> <![CDATA[ <p> By White, Tony .<br /> UK Elsevier inc 2016 .<br /> 499p 9780240806709 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=3000">Place hold on <em>Animation from Pencils to Pixels</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=3000</guid> </item> <item> <title> Professional Story Boarding </title> <dc:identifier>ISBN:9780240817705</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=3001</link> <description> <![CDATA[ <p> By Paez, Sergio .<br /> UK Elsevier inc 2013 .<br /> 257p 9780240817705 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=3001">Place hold on <em>Professional Story Boarding </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=3001</guid> </item> <item> <title> The Visual Story Creating the Visual Structure of Film, TV and Digital Media) </title> <dc:identifier>ISBN:9780240807799</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=3010</link> <description> <![CDATA[ <p> By Block, Bruce .<br /> UK Elsevier inc 2008 .<br /> 295p 9780240807799 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=3010">Place hold on <em>The Visual Story Creating the Visual Structure of Film, TV and Digital Media)</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=3010</guid> </item> <item> <title> How to Cheat in Adobe Flash CS5 (The Art of Design and Animation) </title> <dc:identifier>ISBN:9780240522074</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=3011</link> <description> <![CDATA[ <p> By Georgenes, Chris .<br /> UK Elsevier inc 2011 .<br /> 262p 9780240522074 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=3011">Place hold on <em>How to Cheat in Adobe Flash CS5 (The Art of Design and Animation)</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=3011</guid> </item> <item> <title> Sound for Film and Television </title> <dc:identifier>ISBN:9780240804538</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=3012</link> <description> <![CDATA[ <p> By Holman, Tomlinson .<br /> UK Elsevier inc 2002 .<br /> 285p 9780240804538 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=3012">Place hold on <em>Sound for Film and Television </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=3012</guid> </item> <item> <title> The Film Maker's Eye </title> <dc:identifier>ISBN:1</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=6090</link> <description> <![CDATA[ <p> By Mercado, Gustavo .<br /> UK Elsevier inc 2013 .<br /> 192p. 1 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=6090">Place hold on <em>The Film Maker's Eye</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=6090</guid> </item> <item> <title> 3D Story Teling </title> <dc:identifier>ISBN:1</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=6091</link> <description> <![CDATA[ <p> By Block , Bruce .<br /> UK Elsevier inc 2013 .<br /> 228p 1 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=6091">Place hold on <em>3D Story Teling </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=6091</guid> </item> <item> <title> The Animator's Eye </title> <dc:identifier>ISBN:9780240817248</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=6093</link> <description> <![CDATA[ <p> By Glebas, Francis .<br /> UK Elsevier inc 2013 .<br /> 292p 9780240817248 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=6093">Place hold on <em>The Animator's Eye </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=6093</guid> </item> <item> <title> Cinematography </title> <dc:identifier>ISBN:9780240812090</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=6095</link> <description> <![CDATA[ <p> By Brown, Blain .<br /> UK Elsevier inc 2013 .<br /> 365p 9780240812090 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=6095">Place hold on <em>Cinematography</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=6095</guid> </item> <item> <title> Digital Compositing for Film and Video (Third Edition </title> <dc:identifier>ISBN:9780240813097</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=6098</link> <description> <![CDATA[ <p> By Wright, Steve .<br /> UK Elsevier inc .<br /> 490p 9780240813097 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=6098">Place hold on <em>Digital Compositing for Film and Video (Third Edition</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=6098</guid> </item> <item> <title> Character Modeling with Maya and Zbrush </title> <dc:identifier>ISBN:9780240520346</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=6099</link> <description> <![CDATA[ <p> By Patnode, Jason .<br /> UK Elsevier inc .<br /> 400p 9780240520346 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=6099">Place hold on <em>Character Modeling with Maya and Zbrush </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=6099</guid> </item> <item> <title> Film Making </title> <dc:identifier>ISBN:9780240817002</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=6100</link> <description> <![CDATA[ <p> By Tomaric, Jason J. .<br /> UK Elsevier inc 2010 .<br /> 520p 9780240817002 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=6100">Place hold on <em>Film Making</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=6100</guid> </item> <item> <title> Digital story Telling </title> <dc:identifier>ISBN:9780240809595</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=6103</link> <description> <![CDATA[ <p> By Miller, Carolyn Handler .<br /> UK Elsevier inc 2008 .<br /> 479p 9780240809595 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=6103">Place hold on <em>Digital story Telling</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=6103</guid> </item> <item> <title> Screenwriter's Compass </title> <dc:identifier>ISBN:9780240818078</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=6105</link> <description> <![CDATA[ <p> By Gallo, Guy .<br /> UK Elsevier inc 2012 .<br /> 200p 9780240818078 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=6105">Place hold on <em>Screenwriter's Compass </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=6105</guid> </item> <item> <title> Animation from Pencils to Pixels </title> <dc:identifier>ISBN:9780240806709</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=6108</link> <description> <![CDATA[ <p> By White, Tony .<br /> UK Elsevier inc 2016 .<br /> 499p 9780240806709 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=6108">Place hold on <em>Animation from Pencils to Pixels</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=6108</guid> </item> <item> <title> Professional Story Boarding </title> <dc:identifier>ISBN:9780240817705</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=6109</link> <description> <![CDATA[ <p> By Paez, Sergio .<br /> UK Elsevier inc 2013 .<br /> 257p 9780240817705 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=6109">Place hold on <em>Professional Story Boarding </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=6109</guid> </item> <item> <title> Developing Story Ideas </title> <dc:identifier>ISBN:9780240807362</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=6160</link> <description> <![CDATA[ <p> By Rabiger, Michael .<br /> UK Elsevier inc 2006 .<br /> 241p 9780240807362 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=6160">Place hold on <em>Developing Story Ideas </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=6160</guid> </item> <item> <title> The Visual Story Creating the Visual Structure of Film, TV and Digital Media) </title> <dc:identifier>ISBN:9780240807799</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=6161</link> <description> <![CDATA[ <p> By Block, Bruce .<br /> UK Elsevier inc 2008 .<br /> 295p 9780240807799 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=6161">Place hold on <em>The Visual Story Creating the Visual Structure of Film, TV and Digital Media)</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=6161</guid> </item> <item> <title> The Art and Technique of Matchmoving (Solutions for the VFX Artist </title> <dc:identifier>ISBN:9780240812304</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=6162</link> <description> <![CDATA[ <p> By Hornung, Erica .<br /> UK Elsevier inc 2010 .<br /> 311p 9780240812304 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=6162">Place hold on <em>The Art and Technique of Matchmoving (Solutions for the VFX Artist</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=6162</guid> </item> <item> <title> How to Cheat in Adobe Flash CS5 (The Art of Design and Animation) </title> <dc:identifier>ISBN:9780240522074</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=6166</link> <description> <![CDATA[ <p> By Georgenes, Chris .<br /> UK Elsevier inc 2011 .<br /> 262p 9780240522074 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=6166">Place hold on <em>How to Cheat in Adobe Flash CS5 (The Art of Design and Animation)</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=6166</guid> </item> <item> <title> The Technique of Film &amp; Video Editing </title> <dc:identifier>ISBN:9780240813974</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=6172</link> <description> <![CDATA[ <p> By Dancyger, Ken.<br /> UK Elsevier inc 2011 .<br /> 459p 9780240813974 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=6172">Place hold on <em>The Technique of Film &amp; Video Editing</em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=6172</guid> </item> <item> <title> Sound for Film and Television </title> <dc:identifier>ISBN:9780240804538</dc:identifier> <link>/cgi-bin/koha/opac-detail.pl?biblionumber=6189</link> <description> <![CDATA[ <p> By Holman, Tomlinson .<br /> UK Elsevier inc 2002 .<br /> 285p 9780240804538 </p> ]]> <![CDATA[ <p> <a href="/cgi-bin/koha/opac-reserve.pl?biblionumber=6189">Place hold on <em>Sound for Film and Television </em></a> </p> ]]> </description> <guid>/cgi-bin/koha/opac-detail.pl?biblionumber=6189</guid> </item> </channel> </rss>
